ft-PPass2Matte now features a new parameter that allows you to directly display the point pass for easier sampling of relevant points.
"A user renders a 3D car from Cinema 4D with a UV and Normals pass. In AE v5.5.1a, they use ft-UVPass to swap the car’s paint color from red to blue, add a 2D reflection of a city skyline that wraps perfectly around the curved bodywork, and isolate the chrome wheels using an Object ID—all in 32-bit color without re-rendering."
Allows for the creation of 3D mattes based on position data.
The (currently at version 6.1.0, which includes the legacy 5.x tools) is a powerful utility for After Effects users working with 3D renders. It allows you to re-texture objects and create 3D masks directly in your timeline using data passes (AOVs) from 3D software like Cinema 4D, Maya, or Blender. Core Components AEScripts ft-UVPass Bundle v5.5.1a for After Ef...
Every pixel in a UV pass contains Red and Green color values that correspond to X and Y coordinates on a 2D texture map.
The second component, ft-PPass2Matte, creates mattes that are attached to objects in 3D renders by using a PPass (also called point pass, position pass, position point pass, or world position pass). Until the introduction of ft-PPass2Matte, this advanced masking functionality was only available in high-end compositing software like Nuke.
Swap logos or textures without opening 3D software. ft-PPass2Matte now features a new parameter that allows
The bundle consists of two highly optimized plugins tailored for high-end compositing workflows:
Conclusion AEScripts’ ft-UVPass Bundle v5.5.1a fills a focused but valuable niche for compositors and motion designers working with 3D-derived passes inside After Effects. By turning UV and ID data into practical, editable mattes and reprojection controls, it reduces the need for re-rendering and supports faster, more precise post-render adjustments. The toolset is most effective when render passes are exported cleanly and when users understand basic UV/id workflows; it’s not a substitute for re-rendering when true 3D occlusion or highly dynamic surface interactions are required. For pipelines that rely on AOV-driven finishing or late-stage look changes, ft-UVPass can be a time-saving and quality-preserving addition.
: This tool creates custom mattes using a "Point Pass" or "World Position Pass". It enables you to isolate specific areas of a 3D scene—similar to functionality previously only found in high-end compositing software like Nuke—to create precise masks without re-rendering. Key Features in v5.5.1a Performance Improvements The (currently at version 6
According to community discussions, while the tool is powerful, users should be aware of certain technical nuances:
ft-UVPass Bundle for Adobe After Effects (available at aescripts.com
ft-PPass2Matte now features a new parameter that allows you to directly display the point pass for easier sampling of relevant points.
"A user renders a 3D car from Cinema 4D with a UV and Normals pass. In AE v5.5.1a, they use ft-UVPass to swap the car’s paint color from red to blue, add a 2D reflection of a city skyline that wraps perfectly around the curved bodywork, and isolate the chrome wheels using an Object ID—all in 32-bit color without re-rendering."
Allows for the creation of 3D mattes based on position data.
The (currently at version 6.1.0, which includes the legacy 5.x tools) is a powerful utility for After Effects users working with 3D renders. It allows you to re-texture objects and create 3D masks directly in your timeline using data passes (AOVs) from 3D software like Cinema 4D, Maya, or Blender. Core Components
Every pixel in a UV pass contains Red and Green color values that correspond to X and Y coordinates on a 2D texture map.
The second component, ft-PPass2Matte, creates mattes that are attached to objects in 3D renders by using a PPass (also called point pass, position pass, position point pass, or world position pass). Until the introduction of ft-PPass2Matte, this advanced masking functionality was only available in high-end compositing software like Nuke.
Swap logos or textures without opening 3D software.
The bundle consists of two highly optimized plugins tailored for high-end compositing workflows:
Conclusion AEScripts’ ft-UVPass Bundle v5.5.1a fills a focused but valuable niche for compositors and motion designers working with 3D-derived passes inside After Effects. By turning UV and ID data into practical, editable mattes and reprojection controls, it reduces the need for re-rendering and supports faster, more precise post-render adjustments. The toolset is most effective when render passes are exported cleanly and when users understand basic UV/id workflows; it’s not a substitute for re-rendering when true 3D occlusion or highly dynamic surface interactions are required. For pipelines that rely on AOV-driven finishing or late-stage look changes, ft-UVPass can be a time-saving and quality-preserving addition.
: This tool creates custom mattes using a "Point Pass" or "World Position Pass". It enables you to isolate specific areas of a 3D scene—similar to functionality previously only found in high-end compositing software like Nuke—to create precise masks without re-rendering. Key Features in v5.5.1a Performance Improvements
According to community discussions, while the tool is powerful, users should be aware of certain technical nuances:
ft-UVPass Bundle for Adobe After Effects (available at aescripts.com