Some audience members appreciated that the political commentary, while present, was not overly preachy, but rather used to drive the absurdity of the plot, says IMDb . Is It Worth Watching?
March 13, 2020 (theatrical), March 20, 2020 (digital)
Satire of "Left vs. Right" politics, internet conspiracy theories, and the "Manorgate" urban legend.
These characters are portrayed as hypocritical, hyper-woke corporate executives and academics. They obsess over political correctness, organic food, and climate change while simultaneously murdering people they deem uneducated. The Hunt 2020
The elites believe their targets are "deplorables" who spread conspiracy theories online. However, the hunters make a fatal mistake when they kidnap Crystal Creasey (Betty Gilpin), a fierce Afghanistan War veteran. Crystal possesses elite survival skills and systematically turns the tables on her captors. The Media Firestorm and Political Controversy
," the film uses extreme violence and absurdity to critique both the "woke" elite and the "deplorable" working class. The Satirical Mirror Unlike traditional political films that champion one side, operates on a principle of "equal opportunity offense". The Elites:
However, the film quickly sheds conventional horror tropes by killing off its presumed protagonists in the opening acts. The narrative shifts focus entirely to Crystal Creasey (played in a breakout performance by Betty Gilpin), a fierce and cynical Afghanistan War veteran. The elites believe their targets are "deplorables" who
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Viewers quickly realized the film was a dark comedy designed to mock internet echo chambers, corporate performativity, and tribal politics. How the Film Parodies the Political Left
Critically, the film received from critics, reflected in its "rotten" score of 53% on Rotten Tomatoes based on 28 reviews. On Metacritic, it scored 54 out of 100, based on 45 critic reviews, indicating "mixed or average reviews". While many praised Betty Gilpin's performance and the film's action sequences, others found the satire to be too blunt and toothless to be effective. Some critics accused the film of "both-sides-ism," arguing it failed to take a meaningful stance, while others simply found it to be "lame and weaselly". They have gathered at a remote
Other critics found the "both sides" approach to be a cop-out. The A.V. Club described the film as , accusing it of engaging in South Park -style rhetoric that mocks everyone without offering a coherent statement. The Guardian was similarly dismissive, calling it "a boilerplate B-movie that doesn't say nearly as much as it thinks it does" .
As the year drew to a close, the world began to look to the future, and the road to recovery. The pandemic was far from over, but there was a sense of hope and optimism that had not been felt in months. The resilience and adaptability of individuals, communities, and nations had been tested, and while there was still much work to be done, it was clear that humanity would emerge from this crisis stronger and more united than ever.
The hunters are a secretive group of liberal elites, who refer to their captured prey derisively as "deplorables"—a direct nod to Hillary Clinton's 2016 campaign remark about Trump supporters. They have gathered at a remote, luxurious location known only as "The Manor" to hunt humans for sport. One of the hunted, a soft-spoken but resourceful woman named Crystal (Betty Gilpin), proves to be no ordinary prey. While her fellow captives are picked off one by one with gruesome creativity, Crystal uses unexpected combat skills and street smarts to turn the tables, picking off the hunters one by one as she methodically makes her way toward the mysterious woman at the center of it all, Athena (Hilary Swank).