Michael Jackson - Got To Be There -2013- -flac ... !!top!! 100%

Альбом «Got to Be There (2013 Remaster)» — Michael Jackson

: Listeners often prefer the 2013 digital remaster for its considerable difference in clarity compared to older versions.

Released by Motown on January 24, 1972, Got To Be There proved that Michael Jackson was more than just a talented frontman for a group—he was a "Prince of Soul" in his own right. The album was produced by Motown’s "A-team," including , Hal Davis , and Willie Hutch , who crafted a sound that balanced the infectious energy of the Jackson 5 with a newfound emotional maturity. Key highlights of the original 10-track release include:

For audiophiles, the 2013 high-resolution versions—available in formats like and 192kHz FLAC —bring a newfound depth to the 1972 production. Listeners on community forums like Reddit and Discogs have noted that the remaster features a "very deep and punchy" bass and a wide soundstage that removes the "muddiness" often associated with older Motown transfers. This clarity allows the intricate arrangements of Willie Hutch and the Motown production teams to finally breathe. Musical Highlights Got to Be There - Rolling Stone Michael Jackson - Got To Be There -2013- -FLAC ...

: A high-definition reissue by Universal Music Group/Motown. High-Res Formats : Available in audiophile-grade quality, including 192 kHz / 24-bit 96 kHz / 24-bit FLAC and AIFF files.

Whether you're a longtime fan or just discovering Michael Jackson's music, "Got To Be There" is an essential listen. So, take a step back in time, and experience the magic of this iconic album for yourself.

The FLAC encoding captures frequencies up to 22.05 kHz (the theoretical limit for Red Book CD). However, the magic is in how it handles roll-off . Альбом «Got to Be There (2013 Remaster)» —

| Format | Sample Rate | Bit Depth | File Size (approx. for 3 min song) | Audio Quality | | :--- | :--- | :--- | :--- | :--- | | | 44.1 kHz | 16-bit | ~30-35 MB | Equivalent to a physical CD. | | High-Resolution (Hi-Res) | 96.0 kHz | 24-bit | ~114 MB | Significantly more detail and dynamic range than CD. | | Ultra-High-Resolution | 192.0 kHz | 24-bit | Not specified, but very large | The highest available, capturing every sonic nuance. |

The album features a mix of pop, soul, and R&B, reflecting the musical trends of the early 1970s. Tracks like "Ain't No Sunshine" (a cover of the Bill Withers hit) and "I Wanna Be Where You Are" demonstrate Jackson's early pop and R&B sensibilities. The album also includes the title track, "Got to Be There," which was released as a single and became a significant hit.

: It was certified Gold by the RIAA on the same year as the high-res remaster—for sales exceeding 500,000 units. Key Tracks Included Key highlights of the original 10-track release include:

: His debut solo studio album, originally released on January 24, 1972. 2013 Remaster

Here's the original tracklist for "Got to Be There":

When he posted the track, he did so with the simplest title he could manage: Michael Jackson — Got To Be There — 2013 — FLAC — Room Take. The first comments were stunned, then reverent, then suspicious. Debates bloomed about authenticity, remastering, and motive. But the message that mattered came weeks later: an email with no header, three words in the subject — thank you — and inside, a single line:

The material chosen for the record balanced contemporary pop-soul balladry with upbeat rhythm tracks, designed to showcase Jackson's emotional maturity, which far exceeded his chronological age. Track-by-Track Sonic Analysis of the 2013 FLAC Remaster

The 2013 remaster of Got To Be There brought newfound clarity to the 1972 production by producers like Hal Davis and Willie Hutch.