As Bestas Rodrigo Sorogoyen Jun 2026

Rodrigo Sorogoyen is known for his ability to maintain . In As Bestas , he utilizes:

Their utopian dream, however, clashes violently with the reality of their neighbors. The core conflict ignites over a proposed wind energy project. If a foreign corporation buys the village land to install wind turbines, the impoverished locals will receive a life-changing financial payout. Antoine and Olga use their voting power to block the deal, arguing that the turbines will destroy the natural landscape they love.

When the 37th Goya Awards ceremony concluded on February 11, 2023, it was clear that The Beasts was the night's undisputed champion. Entering the race with a staggering 17 nominations, the film dominated by taking home 9 major awards, solidifying its place as a modern classic of Spanish cinema.

(released internationally as The Beasts ) is a masterpiece of modern psychological tension and psychological realism. Directed by Spanish filmmaker Rodrigo Sorogoyen , this 2022 psychological thriller masterfully subverts traditional genre tropes. It transforms a localized rural dispute into a universal exploration of tribalism, xenophobia, and the destructive nature of pride. as bestas rodrigo sorogoyen

As Bestas is fundamentally an interrogation of what happens when two unyielding forces occupy a space that isn't big enough for both. Antoine and Olga represent an idealistic, eco-conscious gentrification. They want to restore the abandoned stone houses and cultivate the land. To their neighbors, the Anta brothers—Xan (Luis Zahera) and Lorenzo (Diego Anido)—the French couple are wealthy intruders blocking their only financial escape route: selling their land to a wind energy corporation.

The Beasts ), released in 2022, is a psychological thriller directed by Rodrigo Sorogoyen . It swept the 37th Goya Awards in Spain, winning nine categories including Best Director Best Original Screenplay Core Premise & Plot Inspired by a true story

As the psychological warfare escalates into physical intimidation, the film transitions from a social drama into a survival thriller. The poisoning of Antoine's water supply and the destruction of his crops are not just attacks on his livelihood; they are violations of his identity. Sorogoyen shoots the vast, mist-shrouded Galician mountains not as a pastoral paradise, but as an claustrophobic, indifferent amphitheater watching a tragedy unfold. The Structural Masterstroke: A Film of Two Halves Rodrigo Sorogoyen is known for his ability to maintain

Antoine had lived in the stone house for seven years. He was not a local; he was a francés , a Parisian who had traded the Seine for the steep, unforgiving slopes of the Salvanés valley. His wife, Olga, said he had become more Galician than the Galicians. He spoke the language with a rusty accent, repaired his own roof, and refused to sell a single centimeter of his land to the wind consortium.

The title As Bestas refers to the traditional Galician festival, Rapa das Bestas (The Shearing of the Beasts), which opens the film in stunning, slow-motion detail. In this ritual, unarmed men ( aloitadores ) use their bare hands to wrestle wild horses to the ground to shear their manes. This sequence serves as a metaphor for the entire film: a brutal struggle for dominance, where civilization attempts to overpower the wild, and where human beings devolve into primal beasts.

Rodrigo Sorogoyen, working with his regular cinematographer , crafts a film of extraordinary formal control. If a foreign corporation buys the village land

, a Galician tradition where villagers wrestle wild horses to shear their manes. This ritual serves as a haunting opening sequence and a recurring allegory for the "domination via violence" that permeates the film’s central conflict. It questions whether humans, despite our masks of civility, are ever truly better than the animals we seek to tame. Critical Acclaim and Awards

Tratamento estético (direção e som)

This sequence establishes the film's core motif: the physical subdual of the wild by the dominant. Later in the film, when physical violence erupts, the choreography deliberately mirrors the horse-wrestling technique shown in the opening. It highlights the thin veneer of civilization masking base human instincts. Directorial Style and Technical Execution