The movie features a stark visual tone, paired with an unconventional soundtrack. This juxtaposition of intense imagery against a calm, haunting score is intended to create a sense of unease and tension for the viewer. 5. Critical Reception and Conclusion
While praised for its strong acting (particularly by Edward Akrout), it is often noted for being polarizing due to its provocative and transgressive subject matter [2, 4].
One of the most well-known frameworks for understanding the relationship between virtues and vices is the concept of the Seven Deadly Sins. These vices – pride, envy, wrath, gluttony, lust, greed, and sloth – are considered to be the opposites of various virtues. For instance, humility is often seen as the virtue that counteracts pride, while kindness and generosity are viewed as antidotes to greed.
Here is a review breakdown for the film:
: Alison is bound separately in the kitchen, forced into a psychological game of endurance.
: Plays the "victim" whose own dark secrets make him increasingly unsympathetic.
The title of the film, "Deadly Virtues: Love, Honour, Obey," hints at the exploration of traditional values that are often considered sacrosanct. Love, honor, and obedience are virtues typically associated with positive connotations, yet the film suggests that they can be used as tools of control, manipulation, and even oppression.
Deadly Virtues: Love.Honour.Obey. - Nederlands Film Festival
The narrative unfolds over the course of a single, agonizing weekend. A charismatic, enigmatic stranger named Aaron (played by Edward Akrout) breaks into the suburban home of a middle-class couple, Tom (Matt Barber) and Alison (Megan Maczko).
– Likely meant "NEW" as in a release group name (e.g., "B-NEW" or "New") or simply indicating a fresh upload.
is a psychological thriller that challenges conventional boundaries of home invasion cinema. Directed by veteran Dutch filmmaker Ate de Jong and written by Mark Rogers, this intense, slow-burning film strips away traditional slasher tropes. Instead, it replaces them with an uncomfortable exploration of power dynamics, marital facade, and submission.
With the husband neutralized, Aaron turns his full attention to Alison. However, unlike typical home invasion movies where the victims try to escape, Aaron’s goal is far more insidious. He doesn’t just want material goods; he wants to dismantle the very concept of their "civilized" relationship. He engages Alison in a psychological game, forcing her to act like the perfect "wife" while her husband is forced to watch. The film explores themes of fear, intimacy, and how quickly the thin veneer of marriage can crack when survival is on the line.
The movie takes place almost entirely within a single house. The cinematography relies on tight close-ups and shallow depth of field.
The virtue of love, in particular, can become a deadly virtue if it is not balanced with other values. When love becomes an all-consuming force, it can lead individuals to prioritize the object of their affection over all else, including their own well-being and the well-being of others. This can result in codependency, enabling, or even abuse.
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